Post by Jonathan Moser The introduction of the Matrox MX02 Mini actually makes a little bit of video history: It’s the first third-party hardware option Avid deemed worthy of being allowed into the exclusive club with Media Composer. Matrox is well-known for its quality and value, so the partnership with Avid bodes well for both [...]

Creative COW Magazine : The Blue Ribbon Award Issue Issue : DSLRs: A Time Exposure

Creatvie Cow by Robert Primes THE INCITING INCIDENT At some point in the evolution of today’s DSLR, digital replaced film, and low light level photography became astonishingly clear. We saw our world in a whole new way. And then a seemingly innocent event occurred that for some would be the beginning of a whole new [...]

Is Apple Ceding the High-End Video Editing Market?

Hollywood Reinvented by Lawrence Jordan Steve Jobs e-mail reassurances notwithstanding, this is a question that’s getting asked a lot in editing suites these days, especially those with large Final Cut Pro/Final Cut Studio installations. While users of other software; Adobe CS Suites including Premiere and After Effects, Avid’s Media Composer, Sony Vegas and Square Box [...]

Software Review: Premiere Pro CS5

Microfilmmaker by Mark Colegrove Well Adobe Premiere Pro CS5 has arrived, and has really upped the ante on performance… blowing the competition out of the water. Like a lot of the other products in the CS5 line, the big deal is that Premiere Pro is now 64 bit only. Of course this means you’ll need [...]