Jun 07

The Editblog on PVC by Scott Simmons
Veteran Avid editors will notice quite a few new things with this upgrade
With any big software upgrade there’s going to be changes. Some visible, some not so visible. Personally, I love those changes … as long as they add new or needed functionality without getting in the way. One of the big things we often worry about with big upgrades are interface changes that might clutter up a clean design or impart on the editor additions or subtractions that might seem more like a step backwards. Of course much of this type of thing is subjective. One editor’s productivity enhancement is another editor’s unnecessary feature. With that said, here’s a look at some of the bigger interface enhancements that I noticed upon first working with Avid Media Composer 5.0. Continue reading »
Tagged with: AMA • Avid • DSLR • H.264 • MC5 • ProRes • Smart Tool
Jun 03

EventDV by Mark Von Lanken
As your editing workflow slow because you are shooting with DSLR or AVCHD cameras? Do you ever feel like your NLE is fighting you instead of working with you? I have heard complaints about instability, crashes, unresponsiveness, rendering, and transcoding, and the list goes on and on. I have been editing on a computer for 11 years, and I have experienced very few of those complaints. In 1999, I was editing with Rex Edit by Canopus. Fast-forward 11 years; I am now editing on EDIUS 5.5 by Grass Valley. EDIUS is the evolution of Rex Edit, so it brought with it two key features from Rex Edit: stability and real-time performance. When making a living with your NLE, those are two very important features to have; after all, time is money. Continue reading »
Tagged with: AVCHD • DSLR • Edius • Grass Valley • MXF • XDCAM
Jun 03

Splice Here by Steve Cohen
Media Composer 5 will be released a week from tomorrow, and without question, it represents the biggest upgrade Avid has offered in years — since the last version 5, to be exact, way back in 1994, when the modern Media Composer was born. The symmetry is the result of Avid resetting its numbering scheme in 2003. So here we are at version 5 again. Five was — and is — a very good number for Avid. I can still remember the cheering at the user group meetings. I wouldn’t be surprised if we see that same excitement this time. Continue reading »
Tagged with: AMA • Avid • DSLR • FCP • MC5
Jun 01

Videomaker by Brian Peterson
CS5 is among Adobe’s most significant upgrades to the Production Premium bundle ever. Continue reading »
Tagged with: Adobe • After Effects • AVCHD • CS5 • DSLR • Mercury • On Location • Premiere • Story