I have been using PluralEyes for my Final Cut System ever since I purchased my Canon 7D last year. I have also had the pleasure of working with PluralEyes on my Media Composer System. In both cases, I really like the software. It helps me fix the one problem that I have with DSLR video [...]
Macintosh-based video editing tools are some of the best on the market, from Apple’s Final Cut Pro to Adobe’s Premiere Pro. Yet, for those whose event production workflows follow the digital cinema model of two-system productions, where the audio is captured separately from the video, there’s always been the problem of synchronization. And virtually all [...]
Avid was first out of the gate in the run-up to NAB with its release of the Media Composer 5.5 update for this flagship NLE product line. Avid Media Composer 5.5 (and the associated Symphony and NewsCutter versions) marks a continued openness starting with the release of Media Composer 5.0 last year. That release [...]
Matt Toder has been editing video professionally for eight years, and currently works at Gawker.TV. These are his thoughts on Apple’s latest Final Cut Pro release. I landed my first job in post-production in 2003 at a small house which used Avid exclusively. It had plenty of problems; we struggled with the Dragon error for [...]
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