Hundreds of thousands of Apple Final Cut Pro and Final Cut Express customers rely on Boris FX text, visual effects, compositing, and workflow tools on a daily basis. As we announced at NAB 2011, we fully intend to support the newly-released Apple Final Cut Pro X to the maximum extent possible. It is important to [...]
When Premiere Pro CS 5.0 came out I really didn’t think nonlinear editing tools could get any better. The new Mercury engine in Premiere Pro was amazing. The ability to edit multiple formats in the same timeline without any decrease in performance just blew me away. We all know time is money. As budgets get [...]
The promise; the reality; how to do it. In the past few years, a barrage of new video acquisition formats and recording methodologies have sprouted like mushrooms after the rain. The major shift has come in the form of tapeless, file-based acquisition that uses equipment that has its roots in the information technology industry. As [...]
The Adobe application’s handling of DSLR and other card-based media is straightforward and quick, as it should be. Let’s face it, a lot more editors, artists and animators have Premiere Pro loaded on the systems they use every day than are actually using it. And yet over the last few years—and in particular over [...]
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